Connie is working at the restoration of a colonial house, copying patterns and colours of the wallpapers that are revealed. There is actually some nice travelogue and bits of history here. The mystery involves the deceased owner of the house, who gave and then ungave various antiques and in particular a set of valuable figurines (the ruby queens of the title). They have disappeared and Connie senses they weren't just misplaced. There are many potential suspects among the various people working at the house and connected to the family but the mystery itself is never well-developed enough to interest the reader or give a chance to even figure it out. It's all kind of gentle and pleasant with a lot of white people not really stressing all that much. There is also the rescue and care for a mother cat and her litter (though how she got into the chimney is never explained).
I'm curious who was the audience for these books. I'm even more curious why a semi-orgasmic Debby Harry type was the choice for the cover here.
Did Betty Cavana come up with the colour title concept before John D. MacDonald? |
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