I had already returned #1 to the library |
It is the story of the author's childhood and youth, with a tail at the end summarizing his early success as a comics creator. But it's really the tragic story of his father, a Syrian who did quite well in school that he was able to come to the Sorbonne, where he met Sattouf's mother. He (and the family by extension) is torn between his main goal to build a palacial home on his hereditary land in Syria and the pressures of living there on him and mainly on his family. Not only is Syria impoverished and a dictatorship, but where he moves his family too is way out in the country, which is even poorer and very traditional (trying not to be judgemental here, but from the mother's perspective also backward to the point of being scarily primitive). It's fascinating to see how to our western perspective, the father seems strict and almost abusive in his attempts at raising his family in the Islamic tradition in which he was raised. Yet from his family's perspective, he is going to hell because of his lack of practice and faith.
It's really hard for me to do justice to this book (or these books, as it is in 6 volumes). It really is an epic tragedy but also chock full of humour, warmth and interesting observations on culture and politics and humans. I was completely absorbed while reading it and moved with many emotions and thoughts. There is an english translation so I would strongly recommend that you seek that out, via bookstore or library.
On a graphic note, Sattouf uses a slightly cartoony style and it deceives the reader into a lightness of reading that hides the depth underneath. It is episodic and many of the narrative capsules are enjoyable moments in and of themselves. The characters are made sympathetic with their round noses even if they often actually aren't and over time it makes the horror of what is actually going on really sink in (or sometimes slammed into you at certain particularly shocking moments). It's incredibly effective storytelling.
On a personal tangent, reading this book reminded me of a thing that went on right after I got out of college. My girlfriend had met this dude from Morocco when she was travelling in Spain with her lesbian girlfriend a few year before we got together and he had become a kind of remote stalker. He would phone her up from time to time and try to convince her that she was siding with the devil. Her mother gave him her new phone number when we were living together (wtf) and I picked up when he phoned once. I was aware of this situation and launched into a macho (hey I was in my early 20s) attack about how I was going to find him and kill him and then he did the same and we had a brief spazzy back and forth before we both calmed down and ended up having an interesting conversation for about a half-hour. The guy was living in some small town in Morocco and believed that he was trying to save her. It was actually kind of sad. The poor guy was still obsessing over her and had some toxic mix of sexual/romantic attraction (she was quite lively and engaging with people to the point that there were boundary issues) mixed with fascination/revulsion of her being a lesbian. I tried to argue with him on a philosophical level but he was more mollified that she was now with a man, though disappointed. I can't remember how it ended but it wasn't negative and we never heard from him since, but who knows as we broke up a few years after that.
These fucking old school religions and their obsessions with controlling female sexuality end up fucking up the guys just as much (though of course it's the women who suffer). The cultural differences go beyond just sex in L'Arabe du futur and it powerfully captures how this conflict can tear a family apart and by subtle extension also demonstrates how it continues to cause conflict in France. Strong recommendation. I am now on the hunt for Sattouf's other work.
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