3. A Civil Affair by Lois McMaster Bujold (#11 in the Vorkosigan Saga)

I picked this one to coincide with the end of my vacation and flight back, because I have learned that I struggle with focus on a flight and need fun and easy to digest page-turners rather than something that requires concentration.  The Vorkosigan saga has proven to be always enjoyable and fun to read, even when it does delve into some deeper issues.  I suspect we are nearing some kind of end of Miles' narrative, as here the big struggle is if he can successfully woo the woman of his dreams, with the implication that he will settle down and stay on Barrayar.  Though I guess he can have other adventures in his role as Imperial Auditor, it feels like his arc has reached a certain maturity.

After the events on Komarr, where Miles uncovered a conspiracy to destroy the solar satellite crucial to terraforming and accidently discovered the love of his life, he is now back on Barrayar, preparing for the imperial wedding.  Ekaterin Vorsoisson, the other important character from Kommar, is now a widow living with her aunt and uncle in the capital.  Miles desperately wants to marry her, but recognizes that she is still recovering from decades of psychological abuse in a stifling marriage.  More practically, he has to avoid anything that would encourage speculation that he had murdered her husband (the truth is buried in ImpSec censorship).  This is the main storyline, a very romantic adventure as Miles tries in his typical way to manipulate the situation to get his outcome, which of course blows up in his face.

Meanwhile, his clone-brother Mark returns from Beta where he was working out his own psychological issues and starting to nurture his gifts at business success.  He comes back with two major complications:  first, he is going out with Kareen Koudolka the daughter of a very conservative Vor family and second he has brought "butterbugs" and the brilliant but utterly impractical Escoban scientists who developed them.  The butterbugs are disgusting to look at it, but produce a very rich food from vegetable scraps.  Both these complications lead to lots of funny hijinks.

I think this is the book that got the comparison to Georgette Heyer. It is truly a romantic comedy and quite enjoyable.  There were just so many fun threads (the Lady Donna/Lord Dono battle for succession is so great) and it is fulfilling to get more depth in Bujold's rich world building of Barrayar society and history.  All the stuff with cousin Ivan and his mother and aunts is quite hilarious.  I can see why nerds would love this, because the male characters that get the best partners are not the jocks at all, but the deformed strategic genius and the overweight business genius.  Really fun and now I am torn whether I should take a break or jump right into the next one!

2. Calibre by Irving Shulman

Continuing my exploration into the Amboy Dukes literary universe, I found this non-canon Irving Shulman somewhere that I can't remember (note to self: note where I find books when I get them!). At it's core, it is basically a post Civil War western, but layered with rich melodrama and tortured Shulman characters. Had it been longer, I might have grown impatient, but the first half where we learn about the various characters ends just before it wears out its welcome. And the second half is full of great action and a satisfying conclusion. So overall a fun read. 

 Dave Shannel is a confederate soldier returning to the home of his colleague Ben, who died in battle. Ben spoke all about his family and Dave, rootless and shell-shocked with nowhere else to go, visits them at their failed desert inn. When he gets there, he discovers that three roughnecks and an alcoholic woman have taken over more or less. Their leader, Barlow, is a wealthy war racketeer on the run and they are waiting for some other men to make an escape to the north. Ben's family is his mother, his wife and his uncle (who believes there is treasure on the land and is always out prospecting). You know there has to be a showdown and Dave the hero, but we get there via lots of tension and conflict between and among the bad guys and the family. The historical context adds depth to the standard set-up. Dave is really suffering and lies to the family about Ben's bravery. The bad guys all represent different types of players in the Civil War and its aftermath, especially Barlow the war profiteer. 

Dave struggles with his role.  He's not a coward per se, but just so broken that he simply wants to keep moving.  The men aren't all even that bad, except Barlow and we learn that even he has a somewhat legitimate reason for stopping at the inn.  Turns out Uncle Darcy was a hunter of confederate deserters and murdered Barlow's brother.  The final battle is quite good and intense.  

1. The Banker by Leslie Waller (and 2024 year-end round-up)

Happy new year!  I hope you are all doing well.  2024 wrap-up will follow below.

I found The Banker in Montreal, I think, but can't remember.  It looked very middling but I had to pick it up. I'm glad I did.  It was middling but never boring and surpassed itself by the end, with a fun and satisfying but not simplistic conclusion.  Woods Palmer is a reluctant midwestern banker, dragged into the role of president of his father's bank.  The beginning of the book is him sailing with the president of America's biggest commercial bank who recruits him as the second-in-command.  Right from the beginning, the internal monologue shows Palmer as a disinterested strategist of his own life.

He moves his family from Chicago to New York and starts the job, which is already odd because his main responsibility seems to be the interface with the freelance strategist/PR flak the bank hired to fight a state bill that would give the savings banks more power.  He doesn't really do much else until he starts to get it on with his own PR person, the widow Virginia Clary.  I don't know how much of the conflict between commercial banks and savings banks was or is a thing, but I was able to follow along so I hope it has some basis in reality.  The narrative advances very slowly, taking a while to settle on the main financial and business intrigue, involving the savings banks bill and a big aerospace company that wants a super-generous loan. 

By the time it all comes to a head, his affair also playing a significant role, the heroic narrative reveals itself and Palmer has to finally step up and kick ass on all the New York slick city types who tried to pull one over on the country newcomer.  There is a good theme of white protestants old boys oppressing all the other groups and the conclusion was both satisfying and somewhat nuanced.  Even the love dialogue about the affair between Palmer and Virginia was mostly not cringey.  This was a fun and satisfying read.  It also helped me reinforce some feelings about improving how to behave with others I've been thinking about for 2025.

2024 Year-End Wrap-up

But we aren't quite ready for 2025!  Let's look back at my reading for 2024.  It was a solid year, until the end, when I dived naively and ambitiously into The Life and Death of Ancient Cities which was just too hard for my simple narrative-dependent brain.  I got about halfway through and had been reading sporadically and without enthusiasm for the last several weeks and finally decided to put it it down and pick up something fun to read.  I lost over a month on that book and half of it is still waiting for me, sword of Damocles style.

I read 20 books by female authors out of 61.  I only read one person of colour (The Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah)!  Yikes, that's bad.  I could say 3, but of the other two one was Chinese and the other Japanese from Japan.  Need to diversify in 2025.

I guess my favourite reading this year was with my daughter.  We read The Blue Sword, Watership Down (her favourite now) and The Hobbit (my favourite).  I do most of the reading, but she'll do it for quite a few nights as well now, so it's a lot of fun.

Other than that, there were no real highlights for me this year.  I really enjoyed the book about the Ottoman Empire which was readable and informative, giving me a deeper understanding of the forces behind the current conflicts in the Middle East.  I was also pleased at how I was able to get through it pretty steadily (though this led to my over-confidence with the ancient cities).  2024 was also the year that I discovered Riad Sattouf, thanks to my neighbour putting out beautiful hardbacks of several of his books.  Every Man a Menace stood out for me in its operational complexity and coldness.  Duncan Kyle once again comes in strong with Green River High.  That guy does not disappoint.

Sadly, the David Morrell Victorian period mystery did disappoint.  It lacked subtlety and killed my motivation to follow up on what I had thought might be a rich vein of reading.  The Tribe that Lost its Head was also quite a bummer, as I had high hopes for an adventurous Trevelyan epic.   

Overall, 2024 was a mixed bag, but I was broadly enjoying it most of the time, until hitting the non-fiction ceiling.  My on-deck shelf has also gotten near to full so I am going to try (probably futilely) to read and not buy/pick up any more books.  Happy reading in 2025 y'all!

61. They Found Him Dead by Georgette Heyer

I found this in a Montreal free box (there are more and more popping up these days, which is nice).  I thought that Georgette Heyer only wrote entertaining Regency romance adventures, but it appears she also had a career and name as a mystery writer as well, at least according to the marketing phrase on the back cover of this book:  "By the Queen of Mystery and Suspense" and that she has quite a few other mysteries written.  

I was looking for a readable, English book and this definitely fit the bill. It starts off at a dinner with a confusing number of inter-related characters, so confusing that I had to write them down.  The broad picture is a successful business firm making "nets" with two older partners and their various family members.  The patriarch, Silas Kane, who inherited the business is conservative and cheap.  His business partner wants to take on a risky new venture in Australia which Kane is decidedly against.  That night, in his evening walk, Silas Kane falls off a cliff and dies.  This is seen as a terrible accident and upends the family business, putting his weak-willed nephew Clement at the helm.  Clement is desperate to please his beautiful, comically self-absorbed and expensive wife until he is shot in the back of the head.

The investigation is fun, but more fun is the family, each of them a character.  The most sensible ones are young, sporty Jim Kane who though competent, wasn't ready to have the business thrust upon him and his fiancee, his great-aunt's secretary.  We get lots of very funny dialogue as the self-absorbed compete with the acerbic.  The mystery was marred somewhat by a couple of the characters being really obtuse and it being so obvious that Heyer had to deliberately hide it from the reader.  Still a very enjoyable read and good to know that she also has a competent line in contemporary mysteries!

60. The Hobbit by J.R.R. Tolkien

beautiful paperback from
my wife's adolescence

I convinced my daughter that this could be our night-time reading book and I'm so glad I did.  I was a giant Tolkien nerd back in the day.  I read Lord of the Rings three times by the time I was 13. The back cover of one of the paperback books of the trilogy with the picture of Tolkien tore off and I taped it inside my school binder with the words "My Hero" under it.  I realized, though, that The Hobbit had been kind of neglected in my memory.  Partly because I watched the Peter Jackson Lord of the Rings which kind of underwhelmed me (and the constant swelling music annoyed the shit out of me) and thus skipped the Hobbit remake.  I also worry about what I am terming "Youth Narrative Overload" which is the phenomenon of children today being spoonfed endless fantasy narratives.  We had Lord of the Rings, the Sword of Shannara and a few others here and there.  The nerds growing up and taking over media has been good in a lot of ways, but also churned out a kajillion movies and series, driven mainly by the Harry Potter craze.  When my daughter was younger, we let her watch one episode on Netflix every morning and by the time she was like 8, she had seen so many series with a scrappy adventuring party going on a quest to fight some existential evil that I worried any sense of wonder and imagination had been burned out of her brain.  So I was very pleased that we could go back to the ur-text that started it all.

My own memory was that The Hobbit was good but a bit slight.  Wow, was I wrong.  First of all, it is not just good, it is still outstanding, arguably a masterpiece that holds up today in the crowded field of fantasy adventure.  And it is actually quite epic.  I had completely forgotten the ending.  For me, though, what makes fantasy work is not the epic, not the giant battles and crazy powers, but the subtle moments that evoke in the reader a feeling of being in another world, that adventure is just around the corner in your own even.  This is what Tolkien does so well in The Hobbit.  He creates a very likable, sedate character in Bilbo Baggins with just the slightest hints that a few generations back on one side of his family, there may have been some more feisty characters. And then we get these dwarves who disrupt his life and it isn't until about a quarter of the way through the book that you realize how serious the adventure actually is.  And though there is the main storyline of the dwarves trying to get their treasure back from Smaug and the even broader backstory of good people being pushed out by evil, the real story is Bilbo himself and how he ends up as Gandalf predicted being the major player and honestly somewhat of a badass.

I did find the ending where all of a sudden the narrative widens to include human politics and a massive regional power struggle to feel a bit arbitrary (especially with how Smaug is dispatched) and thus render the overall narrative less pure somehow.  As a world-building nerd, I loved it at the time and get now how it fits into the later Lord of the Rings narrative, just pointing out that it mars somewhat the unities that are so well constructed in the first three-quarters of the book.

This is a classic and I implore any of you with kids reading Harry Potter to try and get them to go back and read this one.  It moves surprisingly fast given that it was written in 1937.  But this is where it all began, I am sure there are many antecedents but it is The Hobbit where we get so many core fantasy tropes today: adventuring party, humanoid races, levelling up, magic items, dragons as the main boss, etc.  and they are all so well done here.  Unfortunately, there is one other major flaw that is sadly also a core fantasy trope (though finally being somewhat rectified these days).  There are absolutely no female characters at all.  This is probably the biggest knock on The Hobbit and on the world of fantasy fiction in general that it was so white male. It's something to talk about, but still not a reason to not read this absolute banger.

59. The Tin Princess by Philip Pullman

Whoo boy, faithful readers will notice the significant gap between this blog post and the last one, over a month! It's not that I gave up reading, but I got over-ambitious with a non-fiction book.  It's called The Life and Death of Ancient Cities and came highly recommended but hoo boy is it slow going! I finally had to put it on pause about halfway and get into some fun reading.  On top of that, I moved over to Bluesky with all the others after the election and it's quite fun and pleasant.  I hope it survives and its model can be a future path for social media.  Unfortunately, the goodness of it is not good for my internet addiction.  Twitter was such a shit hole that I barely went there, which was great for my reading. Now I am once again getting excellent feeds on the situations in Syria, South Korea and Georgia as well as reconnecting with great book and movie nerds (and even some sports people) so it is hard to pull away.

Nevertheless, I was able to finish the final book in Pullman's misnamed Sally Lockhart series.  It might be more accurate to call it his Victorian Penny Dreadful series or something.  This last book is a spinoff which focuses on two other characters in Sally's orbit (she at this point is more of an elder statesman of adventurous, boundary-breaking characters):  Jim Taylor who started as a courier in the law firm where Sally first went and is now a globe-trotting adventurer and writer (who never actually writes) and young Adelaid who was the cockney slave to the evil nemesis of the first book.

The Tin Princess feels very much like Pullman trying to do Sabatini or other books of English people having adventures abroad and getting mixed up in European politics.  Here, Adelaide ends up marrying a prince of the tiny central European country Razkavia who discovers her in a brothel (funny how I read this after watching Anora, which has a similar plot basis though very different storyline).  He barely survives a terrorist attack in London and then learns that his brother is killed and he is next in line for the throne, so Adelaide must accompany him back to Razkavia.  She meets a young well-educated Razkavian girl (who fled because her father had been imprisoned and killed) who becomes her ally and Jim goes along as well. Razkavia produces tin which is much needed by both Austria and Germany and it is thus caught between the machinations of these two superpowers.

It's all quite preposterous but also quite fun.   Jim shows his mettle several times.  The country of Razkavia is well thought out and portrayed.  It's fun to see poor, downtrodden Adelaide reveal that she actually has the native intelligence and mettle of a sovereign.  It all could be more tightly constructed and there is a bit too much going on for it to be concluded satisfactorily.  As usual with Pullman, he does a great job constructing super loathsome antagonists but never really gives the reader the satisfaction of them getting their just deserts in a deservingly brutal way.  In this case, it is nasty and manipulative chamberlain of the royal house, Godel.

So I've finished the 4 books and enjoyed them, but they weren't quite the thrills I had hoped for.  I think the whole thing would have been better had it remained centered around Sally Lockhart and the photography studio/detective agency.  We could still have had all the same adventures but with more unity and ongoing character development.  I understand that at the time, Pullman probably wrote where the muse sent him and that is fine, just left this reader with some dangling threads.  I think the excellent trade dress by Scholastic did a good job of selling them to me and may have set my expectations a bit high.

58. The Tiger in the Well (Sally Lockhart #3) by Philip Pullman

Now this is more like it!  I was quite frustrated by the structure and plot elements of the second book, The Shadow in the North, and that led me to some trepidation while reading this one.  The story starts a few years later.  Sally is established in her business and home and she has given birth to a daughter, Harriet, who is now a toddler.  All the men in her life are gone.  Jim and Garland Webster have left on an adventure of their own in South America.  The conflict starts immediately, although subtly, as Sally receives a legal summons.  At first, she treats it lightly as it is so absurd.  She is being sued by a man for abandonment who claims to be her husband.  He also wants Harriet.

As she looks into it, and deals with super weak and sexist legal representatives, the case becomes deadly serious and she truly risks losing her child, as well as all her assets and her business.  We quickly meet a truly nasty antagonist, the bland and professional seeming Mr. Parrish.  Meanwhile, we also follow the story of Jews fleeing the pogroms in Europe and arriving in London, where they are often exploited by criminals and attacked by racists or a combo of both.

These two storylines combine in a rich historical adventure that all center around Sally.  I was able to guess quite quickly who was behind it all and it was a bit frustrating that it took Sally so long.  That felt a bit manipulative on Pullman's part, though he explains himself away by basing it on her psychology (she knew all along but didn't want to face it; why?).  My distrust held back some of my enjoyment as Sally really goes through the wringer.  He pulls it out in the end, but the promise of a competent, extraordinary woman that the first book is set up is not fulfilled here in a lot of ways.  She spends much of the book being victimized and never gets to use her skills (no cool financial gamesmanship, she never shoots anybody).  This what we call deprotagonization in the tabletop RPG business.  For instance, in one scene when she is down to her last shillings and she pawns the watch that her father gave her and gets a super low price for it.  I get that Pullman wants her to be as desperate as possible, but this woman is super skilled at money and her dad taught her to be tough and street smart.  This could have been a good opportunity for her to show some mettle and skill and instead she meekly accepts the price.

The other characters and the situation is wild enough that once we start to see some hope, the book gets really fun.  Sally doesn't use her skills, but she is brave and resourceful and quite tough.  We get to see a lot of the lives and locations of the poor Jewish community and this is quite interesting and entertaining.  The finale is quite wild, a real page-turner, so much that I partially blame it for my insomnia and me writing this at almost 2 in the morning.  Too stimulating!

So some minor hiccups but overall this was an excellent adventure and I am glad I am working my way through this series.

57. The Shadow in the North (Sally Lockhart #2) by Philip Pullman

I've committed to reading all 4 of the Sally Lockhart series in order (and also kind of wanted to, though the energy is wearing off a bit; I am almost finished the third as I write this review) and thus jumped right into this the second one.  I was immediately a bit disappointed, as this book jumps ahead 6 years from the ending of the first book.  Sally is now on her own, running a financial management business with mainly women clients.  She still is connected to and manages the photography business, but no longer lives with them and only visits once a month to do their books. It's an odd choice, as so many of the elements that made the first book so fun are just tossed out the window.  They were starting a detective firm, they were an eclectic gang of great characters all living under one bohemian roof.  Sally was finally starting to come into her own. It would have been great to see her continue to develop her strengths and for the gang to do some adventures together.  

Once the adventure gets going, I got caught back up in it.  It's quite fun, involving a cowardly magician who is on the run and a nefarious Dutch industrialist who is doing sneaky things with companies (whose ruin impacted one of Sally's clients which is how she started to sniff around).  Unfortunately, I found the ending very frustrating on two points.  One, which is spoiler free, is that it feels brief and truncated compared to all the investigating and plotlines that came before.  You kind of figure it out quickly and the bad guy gets dispatched all too quickly.  Pullman was trying, I believe, to make a modern retelling of the Victorian penny dreadful.  He does a great job of setting up the environment and the story and then elevating it with modern sensibility.  However, he spends most of his energy on bad stuff happening to the characters (which is fine), but doesn't give the reader the satisfying payoff of the ending.

I remember when I was teaching and the His Dark Materials was all the rage among the middle school kids.  The last book actually came out in 2000 and the kids had been waiting for it.  I personally read it and quite enjoyed it, though I do remember feeling it ended with a bit of a whimper rather than a bang.  But the kids hated it!  They were so mad about the ending that it ruined the series for many of them.  I kind of get where they are coming from now.  I was reading it more as a critique of Christianity and I enjoyed that, but they were focused on the relationship between the two main characters and he did totally pull the rug out in that one.  I kind of think he is trying to be too clever and he showed signs of it here.

SPOILER ALERT

 

 

 

What's worse in this book is that he sets up this awesome gigantic dog that is Sally's companion.  He is clearly super dangerous and super loyal, but we never get him doing anything but sniffing and growling at potential enemies until one final scene, where it isn't even Sally being attacked, and he gets killed!  Totally fucked.  This is the animal equivalent of the Bechtel Scale and it is just lame.  I was really pissed about the dog, but he does the same thing with Frederick, who was one of the great characters in the first book, a significant player in this one, the other half of their potential detective agency, an ally in fighting to young Jim and finally a potential love interest for Sally.  He just kills him off and it felt cheap and manipulated.  I don't really know what was the point in making this choice.  It makes me lose confidence in Pullman as a storyteller.  He feels that his own clever "breaking of the rules" is more important than the reader's pleasure.  No bueno.