24. The Riddle of Samson by Andrew Garve

I was initially under the impression that Andrew Garve's main metier was manly action and crime but I see now that he also has quite a few books that I would categorize as cozy thrillers.  These are mystery adventures where the protagonist's reputation is at stake rather than their lives or freedom, though in 1950s bourgeois Britain this is a big deal.  The Cuckoo Line Affair falls in solidly in this category.

Here the protagonist, John Lavery, is an archeaologist who has come to the Scilly isles to search for the remains of ancient monasteries.  All is set for a fun summer of camping and digging, when he meets an extremely attractive woman who is unfortunately married to a well-known but fading journalist.  This guy (named appropriately "Ronnie") is an egotistical and jealous blowhard and through a complex set of affairs ends up thinking our hero and his woman had an affair. He confronts them on a bluff and falls over the edge.  It appears to be a horrible accident, but the woman tells a little lie to the police, claiming her husband was rock climbing and fell and then promptly takes off and disappears.  

At first it is just a very unpleasant encounter, but Lavery also realizes that he has quite fallen in love with this woman.  Unfortunately, the body of the journalist never shows up but the cops do and suddenly Lavery is under suspicion for murder.  He starts digging around and listening to his digging partner who points out a bunch of things that make it seem like he might have been a sucker to the couple pulling an insurance scam.  I've spoiled it a bit because this all comes out about a third of the way in, but it is essentially the tension of the plot:  what happened to the body and was the woman an innocent victim as well or a conniving scammer?

I called it a cozy thriller because you never really feel like Lavery is truly threatened.  Mostly it's the tone where he is sort of vexed and has trouble sleeping but really seems more worried about the woman being true than his own situation.  He and his friend discuss that he might go to jail and he mentions how he could lose his job at the university, but the stakes ultimately don't feel high.  We get a semi-climactic search of an underwater cave tunnel that leads up to a perfunctory but satisfactory ending.  There is also a smuggling red herring that extends the book, came basically out of nowhere and has no real impact on the main narrative.  The best part of the book is the initial investigation and speculation.  Garve describes the physical setting competently and evocatively, aided by a nice map.  I guess these are real islands.  It was a pleasant read and I definitely got a nice sense of immersion in the world, but ultimately a bit light.

 

23. The Witches of Karres by John H. Schmitz

After reading Ken Hite's strong recommendations of Schmitz's work, I went on a bit of a buying spree, including finding this nice paperback copy (for $10!).  I knew I was being risky with this book by not reading it exclusively at home, but ironically it was in the home where its greatest threat lay!  My cat, wanting something that he could not communicate to me, knocked it off the table and it fell in such a way that the cover ripped clean off.  Quite devastating.  I continued to read it but without the cover, the interior pages started to curl (and me carrying it in my fanny pack didn't help either, though I was sure grateful to have it with me when I had the 30 minute wait at the doctor's office).  So this explanation is my way of being transparent with the used book collector community and the remaining population of endangered paperback books of how I have ruined once again another beautiful old paperback.  My apologies!

The Witches of Karres is from that period of post-WWII science fiction that was kind of loose and freewheeling.  It is light in tone and the characters who go through quite a lot and whose entire universe is at risk never seem all that perturbed.  The main character is entrepreneur/pilot Pausert from a fairly conservative society where he is engaged to a senator's daughter.  After a few failed business deals, he ends up being pressured to buy three slave sisters, which gets him into big trouble back at home.  Adrift now and on the run from his home planet authorities, he learns that the sisters are from the planet Karres, famous for the witchly powers of its people.  Among their other skills, they can also assemble and control a new kind of space drive which can transport them much farther and faster than any current conventional travel.  

It starts out as a kind of bildungsroman where Pausert and the witches set to do some trade transport deals across a dangerous stretch of space, make some profit and upgrade the ship, but on their first run they are already beset by industrial espionage as well as a greater threat of these worm creatures that show up like the weather and make people insane.  Things get more complicated as they realize that part of their cargo is a comatose witch (in some kind of protective trance) and a weird rubber-wrapped cube that when opened suddenly draws the attention of these space worms.

The scale of the book goes from spaceship level pirate-dodging to saving the entire universe from an existential threat.  The epic part comes at the end and feels a bit rushed, given its scope.  The ride along the way, though, is quite a lot of fun and ends up with the potential for more adventure.  Other authors have written sequels, which I would pick up if desperate.  My only major complaint is that at the beginning Pausert gets jilted by his fiancee and some toady rival and while he escapes, he (and we the readers) never really gets the satisfaction of him coming home and rubbing his success in their provincial faces.

22. Poison People by William Haggard

Sometimes the collector part of my brain dominates the reading part and it can lead to poor book-buying decisions.  I've quite enjoyed William Haggard's work but not so much that I want to have his complete works or anything.  It's just that the slim Penguin editions of his books are so beautiful.  I don't why that led me to buy this one, which is a later reprint of one of his later works.  It wasn't great, felt like Haggard at the end of his career sort of mailing it in and spending more energy on his old man yells at cloud (or more like looks at them with disdain) than the plot or characters.

Colonel Charles Russel is retired now yet still lives a disciplined life feeling quietly superior to the world around him when a body falls out of an upper-story window and lands right next to him.  It turns out to be a redeemed ex-safecracker who had worked for Russel twice in the past.  He takes charge of the scene and thus gets further implicated in the machinations of an old aristocrat looking for revenge.  His son OD'ed and he is going after the Indian businessman who oversees the drug smuggling and dealing into England.

Russel at first doesn't want to be involved, but than at the safecracker's funeral he meets his widow and she is hot, down for action and in on the heroin revenge plan.  Turns out the toff is her father (the guy who OD'ed was her half-brother).  This is where things start to go off the rails fast.  He spends two pages on what is the right kind of restaurant to take her out to, it's all very snobby and forced.  His editorializing is seething with contempt for people who do it wrong.

But this old man griping becomes really ugly when it comes to the depiction of India and Indians.  They are either scheming and corrupt or effective because of their colonial upbringing and sychophantically grateful for it.  It's straight-up racism.  Man, I see that Haggard has 8 more novels after this, so he was still going full steam when this came out.  I have like 4 other books of his on deck (they are so thin!).  Maybe I should check the dates and just read the earlier ones.  Those are still quite conservative, but the politics are more aligned with the time period and are thus subtler.

The storyline is simplistic for Haggard and you kind of know where it is going about halfway through.  There are some slightly interesting characters (the villain's wife, the Inspect who drinks himself to death), but they aren't enough to distract from the rote resolution, which I read as a duty.

 

21. Grave Mistake by Ngaio Marsh

Finally, a Ngaio Marsh that is fairly easy to read and follow.  Grave Mistake is pretty much a classic English village cozy whodunnit.  I was a bit fuzzy on the details but was suspicious about halfway through and felt strongly before the last quarter who the murderer was.  This is a sign that it was one of Marsh's more forgiving mysteries. 

The story begins from the point of view of a middle-aged playwrite, Verity, thinking about the various people in her local choir.  She is the most self-aware and I thought she might be the protagonist at first.  The plot involves an attractive and wealthy widow who is somewhat of a character and a hypochondriac, her eligible daughter, their new exaggeratedly Scotch gardener (named Bruce Gardener), the nouveau-riche Mediterranean businessman and his attractive son, the cad doctor from Verity's past and a few other cast of characters.  When the widow is found dead, at first believed by suicide, in her room at the spa/asylum (where the cad doctor is newly in residence), Inspector Alleyn is brought in.  Verity becomes more of a information hub for the book at this point, though we also get a storyline about a potential romance between her and the nouveau-riche guy (which sadly never reaches its fruition).

As usual, I enjoyed Alleyn's expertise and easy, supportive manner with his underlings.  There is a great scene at the end where they have to dig up a grave in heavy downpour.  The writing was very evocative and combined well with the suspense of the outcome (which I had guessed; wasn't that hard at this point).  There was one slightly false note which was that I found it unrealistic that Alleyn and Fox would have believed Gardener's story of it being a total coincidence that he ended up working for the widow of his old captain in WWII.  Still, a fun read.

 

20. The River People by Philip Wayre

I picked this beautiful paperback up in a thrift shop in Halifax on aesthetic reasons alone.  It's a non-fiction book about otters and specifically, the author's work in researching rehabilitating them that led to the creation of The Otter Trust which still exists and appears to be doing good work to protect wetlands and revive endangered species in England.  I am theoretically a radical environmentalist but pretty fixed in my views that we humans are destructive parasites hellbent on consumption until nothing is left and need to reform radically or be wiped out.  So there is not much use or pleasure for me in reading about the environment or endangered species as I already know the drill.  However, I just could not resist this lovely 1971 Fontana with a beautifully illustrated wrap-around cover (by Stephen Adams).  Unfortunately, the colour on the spine is weirdly all green so the effect is somewhat spoiled when you open the book all the way.  Still, a keeper.

I am guessing that Philip Wayre was better known when this book came out.  He produced a documentary about otters that was well-received at the time.  He kept otters and other animals on his property and let children visit.  The first half of the book is about the various otters he rescued in England and brought back to his land to raise and try to breed.  It's actually a pretty fun read.  Otters do not make good housepets.  They are mischievous and destructive and leave a very strong-smelling "spraight" to mark their territory.  They can be tamed, but have strong jaws with really sharp teeth and even the super tamed ones will sometimes bite hard when excited.  The author and his wife were incredibly patient but I guess that was their passion.  

The second half of the book is about their journey to Malaysia to try and study some other species of otters.  This was a pretty classic British post-WWII travelogue with some light dusting of colonialism.  They visit some pretty beautiful-sounding places and spend more time looking at otter tracks and spoor than seeing actual otters, though sadly they do bring a few back home that had been captured by locals.

The final chapter is an explanation of the creation of The Otter Trust, including frustrating story of how he purchased a big plot of land only to have it blocked by the local council who would not approve of making it an otter trust.  Very weird business. I hear England is like that, powerful NIMBYs and laws that let them block everything.  He is very vague about who is behind it and dismisses the idea that it was graft but also laments that it most likely would end up being developed, which I am sure it is today (and thus sounds like it would be some shitbag developers behind blocking any land being put in trust).  It seems like they did succeed in finding some land based on the projects on their website. 

 

19. The Second Wave - Book 2 of the Woodstock Saga by Michael Tod

I wish I'd read this right after the first one, but these books are quite hard to find (still looking for the third one).  Reading suffered once again as well due to endwinter travel and visits as well as my tabletop gaming addiction flaring up again.  So I read this in fits and starts and often in small snippets which did not make for an engrossing reading experience and the story suffered.  It is partly that the writing and narrative are somewhat at a simpler level, so that while I appreciated it, it didn't suck me in.  This is a book for pastoral animal adventure lovers of all ages, but I would say probably most appreciated by younger readers.

I really love the concept, Tod takes the region where he grew up and makes it a world for the squirrels.  There are 3 maps,which is awesome and they are all pretty close to the geography of the real world (I checked on Google Maps).  The battle between the reds and the invasive American greys in the first book is over with the reds winning.  Despite me saying it is somewhat simple, the actual hook to create the conflict in the second book is quite clever.  The last of the red squirrels who grew up on a stone quarry peninsula with no trees are forced to leave and head inland to find a home and mate.  They are a family of three and the father, Crag, is a religious fanatic.  The hardscrabble life on a quarry developed a puritan way of life with no affection or comfort and he imposes this on his poor wife and child.  Even more extreme, his whole deal is that squirrels must collect and hoard pieces of metal to show their respect to the sun and make sure they go to their instead of a squirrel hell equivalent.  So he makes his family spend all day dragging bits of metal around.  He sucks.

He meets the happier, mellower red squirrels who live in comfortable trees and immediately sees them as heretics.  Meanwhile, the defeated greys who remain decide a new tactic.  Since they can't stop the power of the Woodstock (some kind of human item that the reds figured out to use that burns off squirrels whiskers and worse), they decide to join them, though their intentions still seem nefarious.  The leader of the greys sends a team to integrate and learn from the reds in the hopes of figuring out how to beat them.  The mellow reds are still too suspicious and send them out to a neutral place in the woods where unfortunately the greys meet the puritan squirrel who quickly converts them with his high charisma and terrifying words.  An interesting wrinkle is that the greys have a female squirrel Ivy who chafes at the sexism of their society.  At first, she sees an example of the more egalitarian reds and is intrigued, but meeting Crag she realizes that she can exploit his religion for her own power gains.  The greys and Crag have the same goal for different reasons, wipe out the reds.

There is another parallel storyline taking place on Brownsea Island.  I can't remember what happened in the first book so the connection to the mainland squirrels was not clear and made it seem like two independent storylines.  A pine-marten swims ashore and becomes a genocidal, existential menace to the reds on the island and they send off a squirrel back to the mainland to find her old allies and the Woodstock.

It's a gentle, fun read with some cool ideas (Crags end involves lightning and all the metal he's convinced the others to store) and a highly didactic meeting with helpful dolphins (whose environmental message I am for 100% but some might find it a bit clunky).  I am still looking for the third, but I would suggest that these books benefit from being read consistently and in order.

 

18. The Auctioneer by Joan Samson

excellent cover design

This is a resurrected horror classic that was making the rounds on booknerd social media a few years ago. It was featured in Paperbacks from Hell and then Valancourt released a new version as part of their Paperbacks from Hell series.  I am proud to say that I found an original paperback in quite good condition.  Horror and rural horror especially are not really my jam, but the premise sounded intriguing and it is considered a classic, so I added it to my list.  

This is one of those books that I can say is a legitimately good book but at the same time I really did not enjoy it.  I've read a few other reviews and my concerns are shared, so it's not just that I don't love horror.  It's a frustrating, helpless read that is still kind of realistic so you keep turning the pages to find out what happens (and what is happening).  It takes place in rural New Hampshire in the early 70s (Vietnam war and hippies are mentioned).  The story centers around a small, poor family living on a subsistence farm:  John the dad, Mim the younger and once beautiful wife, their sweet child Hildie and John's mom, Ma.  The land has been in John's family for multiple generations.

One day, the sheriff shows up, talking about this new guy in town who bought a nice house and is organizing an auction with the funds to pay for a bigger police budget.  He's looking for donations of old stuff to sell, so they give him some broken down furniture.  He comes back next week asking for more.  Gradually, but pretty blatantly, it evolves into a gentle extortion, where they "give" more and more of their possessions for the auction.  There is no blatant coercion at first, but the family feels compelled to keep giving and at some point, they do start hearing about accidents in town to people who refused.  But the pressure is much more psychological.  The auctioneer, Perly Dunsmore, is always smiling and positive and talks about small-town values while he slowly takes everything from the families of the town, selling them off to urban sophisticates looking for antiques and more.

It's very disturbing as you read it.  You really feel for the family who are truly trapped, though there is an argument that the John character is also a critique of loud, empty masculinity. He refuses to resist for fear that something will happen to the women around him.  It just goes on and on and keeps getting worse and worse, which makes for a not pleasant read, at least for me.  It is well interested and themes are compelling and painfully relevant.  This process of the American people blindly giving up their power to a manipulative shuckster is exactly what we are living through right now.  It's tough to read it in allegory at the same time.