51. Ruler of the Night by David Morrell

I've wanted to read Morrell's more recent historical thrillers for a while now, but can never find them in a used bookstore.  I'm not sure what that means about his publishing success.  His books are published as big populist hard backs, though probably not in the numbers of huge name authors.  You would think some of them would show up used and in thrift shops, but so far they have eluded me.  I was in a different neighourhood and happened upon their library.  Never great pickings for English books in Montreal, so I will some times borrow books a bit recklessly, just because I want to leave with something.  I was psyched to stumble on a David Morrell book, and hastily took it out, without doing a bit of research.  Turns out Rule of the Night is actually the third book in his Thomas de Quincy and daughter Emily as historical fiction detectives.  It's not actually a trilogy, so each book stands on their own, but I nevertheless felt I was catching up and didn't have the connection with the characters that a proper narrative would have developed rather than expository reminders.

I think this added to some of the ungainliness I felt in the book, but much of it was inherent in the writing.  I was disappointed, I have to say.  The set up is really cool, with the early days of the railway and how the public, already hesitant but also fully caught up in the changes trains are bringing, are hesitant, especially after a brutal murder in a first-class carriage.  The ending as well, where we finally learn the truth of the complex mystery, is quite rich and clever.  de Quincy and his daughter are great detectives, with their mutual support and his opium addiction and her burgeoning medical skills.  It's a cool team.

It's the execution of the plot that I felt weakened its actual cleverness.  It goes all over the place, with several intriguing investigative threads and then suddenly about halfway through introduces a major character from de Quincy's childhood as a street urchin (and based on his real-life narrative).  On top of that, we suddenly get a really hateful major antagonist who does his horrible deed and is punished for it very soon thereafter.  It felt like that was supposed to be the climax.  I guess it was done to set up for the twist, but it ends up leaving the reader somewhat deflated and turning pages just to find out the mystery.

Even worse, for me, was the language.  Morrell is a very skilled writer, but it is the rare American writer who can grasp the subtleties of British dialogue.  Here, it's even worse because it feels like he simplifies it even more for the mass audience.  The dialogue between the police detectives, Ryan and Becker (allies of de Quincy and his daughter) and the evil peer is particularly unrealistic, both in the way it sounds and in the class relations that dialogue is supposed to be supporting.  Just felt super simplistic, like the Netflix version.

In the end, the backstory was quite intricate and clever, integrating a historical railway murder and de Quincy's life in a complex and cool mystery that made it overall a decent book to read and I may say for those of you who aren't sensitive to the nuances of British culture and dialogue in detective fiction might enjoy the series.  This may have been my one test of Morrell's Victorian fiction unless I hear that his others are far superior.  One good thing, for sure, is that it did convince me to read Thomas de Quincy!

50. Tales from Watership Down by Richard Adams

Watership Down turned out to be such a hit that, despite my hesitation, my daughter demanded we get this out of the library and read it.  It took us a while as there were a lot of missed reading nights during the vacation and summer nights.  I was hesitant because I worried it wouldn't capture the magic of Watership Down and leave us feeling disappointed (Charlie and the Great Glass Elevator being the biggest culprit of this).  I'm happy to say that Tales is a satisfying and engaging sequel that doesn't try to replicate the epic, original story, but builds on it and lets the reader be in the world of the rabbits a little longer.

The first part of the book are more tales of El-ahrairah.  I wasn't so into this mythology in Watership Down, but here El-ahrairah and Rabscuttle's adventures are more down to earth.  There is magic but it's not so powerful and abstract as the tales from the first book were.  Here they go on cool, scary quests and encounter (and often have to outwit) all kinds of fascinating creatures.

The third section is several short stories that continue the Watership Down story, as the warren evolves, changing its political structure to have co-chiefs one of whom is a doe, welcome new rabbits and expand to new outposts.  Leadership comes up a lot thematically, as Hazel, Bigwig and Fiver are now getting older and there are more and more rabbits who didn't live through the migration and the fight with Efrafa.  It ends with life in progress for the rabbits, there are issues and man is always threatening.  We are left as readers feeling very much that Watership Down is alive.

49. Negroland by Margot Jefferson

I found this in the new free book box in my neighbourhood (actually had an interesting collection of 80s and 90s paperbacks not to my taste but will keep an eye out).  I've long been curious about the Black upper class communities and their history.  I have to also admit that the slick cover design also went some way to me deciding to grab this.

At it's core, this is indeed Jefferson's biography.  We start with several interesting examples of the early histories of wealthy and educated Black families, following their ancestors who came out of slavery.  History, philosophy and social theory mix with her personal narrative to tell us about her and racism.  The racism stuff is really interesting; she demonstrates its complex and damaging impact in so many contexts.  You really get a sense of how all-encompassing race was for an African-American girl growing up in upper middle class Chicago to educated, well-to-do parents.  

The parts about herself were less compelling for me.  I get that its a biography and I do think she was successful in using herself as a vehicle to portray racism.  There is also a lot of adolescent anxiety and adult self-absorption that just doesn't interest me.  I mean we even get a whole section where she talks about which character in Little Women she would want to be and why.  So it dragged a bit for me and kind of fizzled out at the end, though not enough to negate the interesting parts of the first two-thirds.  I think readers who enjoy more poetic and intellectual style of writing might enjoy this book much more than me.  Not my jam, though was worth the time.

48. Beware of the Trains by Edmund Crispin

This post is really an admission of guilt to a crime against books.  I found this Edmund Crispin paperback before I had read any of his books and decided that he wasn't for me.  I kept it in my errands backpack as an emergency read if I ever get stuck somewhere and don't have my main book with me.  Short story collections are good for that. I have become quite consistent in my chore habits and tend to not have much waiting time and when I know I have a wait (like anything health-related), I will make sure to bring whatever book I'm reading.  So Beware of the Trains ended up in my backpack inside pocket for several years, getting more and more beat up as it shared the pocket with plastic bags for shopping and cutlery for lunches.  Taking off a chunk of the cover one day, I finally decided to clean it up and realized I had basically destroyed the book.  I've now taken to scrubbing my hands incessantly to get the little bits of pulp fibre that have dug their way into my skin.

Crispin is a great writer.  I enjoy the way he can paint an English scene and he often has interesting characters.  It's just that his books are primarily built around an intricate mystery that is supposedly solvable by the reader.  Not this reader!  These short stories are the same, which is kind of incredible, that he can come up with so many little mysteries.  These are like Encyclopedia Brown for grown-ups.  So if that is your jam, I would strongly recommend Crispin.

Now what to do with the body?