18. Terror's Cradle by Duncan Kyle

I picked this one up for 50 cents at a bookstore on St. Catherine. I have always considered Duncan Kyle the poor man's Desmond Bagley. Both are Scottish and both wrote succesful solid, manly thrillers in the 60s and 70s. I think I should probably give Kyle a little more credit. He just didn't have the same publishing clout as Bagley, whose books are produced in nice consistent thematic runs, so they look really cool on your shelf. But Kyle is good, competent. Normal, british-tough, realistic men getting caught up in dangerous situations.

Terror's Cradle stars journalist John Sellers who gets caught up in a spy game when he goes after his missing co-worker and unrequited love. There is action and intrigue in Vegas, Gothenberg and finally the Shetland Islands. Good stuff.

17. Among Madmen by Jim Starlin and Dana Graziunas

I feel like this was a cool Post-apocalyptic find. S.W. Welch's, the stalwart used bookstore on the Main, right across the streets from Schwartz's is moving (sad days as the Main slowly transforms) and they had a big $1 sale. There really wasn't any real treasures, but I found a few neat things, including this little gem, a novel with illustrations ("A unique new form of novel" or something like that it says on the back).

The story takes place in a small town in the Catskills, holding out after the Troubles. The Troubles in this case is a plague that first and gradually starts turning people into shambling vegetables. They aren't threatening or anything, but as their numbers increase, they slowly become a massive social and logistical weight on society. I mean what do you do with them? Just when things are getting really ugly (vegetables being rounded up and shipped to islands, mass starvation, economic collapse) a new strain of the virus, starts turning others into total psycho beserkers. It's worse than just turning them violent, because they retain their intelligence and some of them plot and take their time before exacting their own specific form of sadistic cruelty. It's an intricate but well-thought out apocalypse and quite fun in the telling.

The hero is an ex-Vietnamen vet, ex-NYC cop who made his way to the Catskills. The town is fortified and there are enough competent people here (used to hunting and living in the forest) that it manages to hold on, despite the occassional veg-out or psycho transformation as well as bands of marauders and bandits.

The story is about the hero as he tries to protect the town and his relationship with his wife, who has turned into a psycho. The disease manifests itself differently in her, coming out only after she has had sex. The guy has the situation all planned out, where he locks her in a padded closet until after her good self returns. Of course, the town is not happy with his situation and this is a major source of conflict.

A lot of the book is about how people deal with their loved ones when they have gone psycho or veg. One woman cares for her husband, even though he shows up in town naked wandering around with his jaw hanging open every now and then. Another woman has her psycho son chained to the back porch. He lives in a doghouse and when he is calm, she spends time with him. It's cool because when she first does it, the kid, who was always a pudgy wimp, is so fat and harmless that the sheriff can't bring himself to shoot him and lets the lady keep him. However, after months of snarling and yanking on his chain and eating whatever raw meat the lady throws him, the kid starts getting thin and strong and starts to become a real problem. I thought that was a neat idea.

There is nothing super profound here, but it is a lot of fun and competently written. There isn't any excessive bullshit either and the setting follows its internal logic well. A good little find and I'm glad to add it to the PA collection.

16. Diary: a novel by Chuck Palahniuk

I've had a few recommendations to read Chuck Palahniuk. It was the one that came after the 4th pitcher, along with the argument that he writes concisely, that convinced me to actually give him a try. The specific book (Lullaby) in question wasn't available at the library, so I took out Diary.

I had no real expectations. The story starts out sort of indirectly, written in a mix of third and second person, as if you are being spoken to. It narrates the life of a woman who is currently living on an old blue-blood island somewhere off the northeastern coast of the U.S. She was originally from a small trailer-trash town in the midwest, went to art school where she met this young boy from the island. She had dreams of becoming a great painter, but instead got pregnant, fat and ended up waiting tables at the island's only hotel. Her husband tried to kill himself and is now in a coma. But shit is getting weirder and it seems to be amping up. Her husband was a contractor for people's summer homes and now they are all calling her, in yuppy outrage, discovering that he had done some bizarre remodeling in their absence, such as sealing off entire rooms. Worse, when re-opened, the walls of the rooms are covered in crazy, violent graffitti.

Diary goes into a few interesting areas, critiquing art school and rich art students, attacking our consumerist society and it's endless appetite for new vacations spots to take over and destroy, there's even a bit of art theory. But the story keeps moving forward and the prose is entertaining. [sort of spoilers ahead]Because I had no expectations, I was concerned that the book was going to go into some weird places without actually concluding the story or revealing the mystery. It turns out to have a very solid backstory and a very cool one at that. The book is very much a classic horror tale. Ironically, in some ways I was almost dissapointed that it made so much sense at the end. Could it be that I am becoming more sophisticated? (highly doubtful). I think it was more that when the actual situation becomes clear it is done in such a blatant, obvious way that after the weirder, less direct prose of the first two-thirds, it's kind of jarring.

Cool book, though. I will definitely check out more of his work.

15. Blindsight by Peter Watts

Whew! This was a challenging book. It's a good book, too, but I can't say I really enjoyed it as I was reading it. It's too bad, because Peter Watts is an intelligent and interesting writer. I loved his first book, Starfish, and liked the follow-up to that Maelstrom. I still have two more books to read in that series, but the Mt. Benson Report got me Blindsight for xmas (much appreciated!) and it is a stand-alone book.

Blindsight takes place quite far in the future. You only get snatches and glimpses of what it is like on earth, but technology is advanced enough that it's considered deviant to have sex outside of the virtual world, terrorists use genetic bombs that can cause people's bodies to start growing a new skeleton (thus tearing them apart), and people's brains can be transferred to other bodie or connected directly to virtual realities where they spend their entire lives. One day, earth is surrounded by what looks like a giant meteor shower. A skyfall of exploding stars. Nothing beyond that happens, but the scientists of earth believe that our planet has just been photographed. This causes a great deal of concern. By the slightest chance, an anomaly is discovered outside of Jupiter. A ship is sent out to investigate.

The story of Blindsight takes place on the ship, whose captain is a vampire (literally; an actual other species living on earth) and whose crew includes a female military officer, who can control entire brigades of drone soldiers with her mind, an expert in languages and communications, who deliberately split her own personality into 5 separate ones, a scientist who is half diagnostic computer system and half human and finally, the protagonist, a sociopath (though this greatly simplifies his personality complex) responsible for observing the whole operation and reporting it neutrally back to earth. Of course, everybody else on the ship hates him, because they feel like he is always spying on them.

The anomaly is some kind of alien thing, but so profoundly different that they can barely understand even how to approach it. The story is divided between their stumbling attempts at contacting and learning about the alien presence and the psychological conflicts and developments on the ship. As you can see, it is a really cool setup, extremely well thought out. Though some of the concepts above might sound quite fantastical and over the top in my description, the book is without a doubt, hard sci-fi and all the conceptions are based on established scientific theory (and extremely well-researched; as usual the end of the book has pages of explanations, heavily footnoted and this was cut down from the original appendix, which you can find on the website).

Watts is no joke. He's an intense, intelligent, radical-thinking person. You can see that his personality is potentially quite combative in his notes and he doesn't pull his punches. He is also someone who doesn't shy away from difficult morality and the painful side of human psychology. I respect his writing for these things. But boy can it make for a lot of work! The book is not that long and moves quickly, it's not even that dense, but there is so much complexity, so much vocabulary and implied ideas that you really have to concentrate. On top of that, there is no happiness in his world. Humans are barely capable of perceiving anything outside of their own existence, let alone connect with another human. So it isn't a joyful ride! And there are some profoundly dark and disturbing moments, where you are just feeling, ugh and hesitant to continue forward. Watts addresses the human capacity for cruelty more directly than even Banks, I would argue, and it is not pretty.

Ultimately, the presentation of the alien being and the evolution of our technological world are convincing and fascinating. I got a lot to think of out of this. The book is a success. But it is a challenging one. I recommend it, but be prepared to work a bit. If you find most sci-fi way too fluffy and positive, then I would strongly recommend it. This is original and daring and in a sea of lame ideas, that alone is worth supporting. But beyond that, Blindsight is a dark and despairing look at the profound solitude that human existence can be, both at the personal and galactic level.

14. Cloud Warrior, Book 1 of the Amtrak Wars by Patrick Tilley

Oh, I am in such turmoil! Our Post-apocalyptic lit expert at the Mount Benson Report recommended this book to me as being well respected in the PA community. It's part of a trilogy (which at this point seem inevitable if I am going to continue reading sci-fi). But I just went to the author's website and found it there are actually two trilogies! Oh, the reading ahead of me.

Anyways, this book rocked. Most of the PA I have read is sort of near-future disasters, things that could happen in our time (No Blade of Grass, Fugue for a Darkening Island, I Am Legend) or in a very near future (most of the Ballard books). The Amtrak Wars is big future PA, taking place 900 years after the fall, with tribes of mutants ("Mutes") on the surface and a growing community of militaristic pures living underground in a super disciplined society. The underground society is built around controlling myths and restricted information. The Mutes are blamed for the wars that destroyed the world and the whole society is geared around slowly expanding their territory on the surface, killing the Mutes (and sometimes enslaving them) as they go. The Federation (as the underground society is known) drives these giant wagon trains of super high tech battle buses and fly sorties from their roof, shooting down Mutes and dropping napalm on their fields.

The Mutes, at least the ones we see, have their own myths, which are much more spiritual. Though they suffer from physical (mainly deformities) and mental mutations (most have no memory), they have a rich tribal life, are powerful warriors and some of them have special "magical" abilities. Their spiritual leader is called a Wordsmith, because he is someone with a memory. It is the Wordsmith's job to remember the 900 years of their history and to pass this on to the next Wordsmith. There are also Seers, who can see the future in some objects, and Summoners, who can control shit with their minds.

The structure of the story is divided between Steve, a hotshot rookie pilot for the federation and Cadillac, a junior Wordsmith. Their two stories are told separately, until they come together.

I am totally into the setting. There is also tons of great action (with some pretty gruesome violence). The whole thing is really well thought out, with the mores of the tribe gradually revealed and the complexities of the Federation life as well. There is tons of mystery and I really want to find out more about what is going on behind this world. Finally, the whole thing has a mellow attitude at its core. The Mutes smoke weed and do mushrooms. You know they are the good guys.

I'm totally following this series.

13. A Writer at War: Vasily Grossman with the Red Army, 1941-1945

Edited and translated by Antony Beevor and Luba Vinogradova

I got this book for xmas. It is the journals of Vasily Grossman, who was one of the major Russian war correspondents in the Russian front during WWII. He wrote a couple of novels, including one about Stalingrad. Riding with the russian army as it entered Poland and Germany, he was also one of the first to see the concentration camps and his writings on that were a significant part of the evidence used at the Nuremburg trials.

Antony Beevor is a well-regarded military historian and his Stalingrad was another book that I really enjoyed. He puts the journals excerpts into context, framing each one with information about the progress of the war, the political context and backgrounds of individuals mentioned. It's just the right amount. The footnotes, especially, are sparse and appropriate. I really hate histories with excessive footnoting. I feel compelled to read them, but they distract from the main narrative. Beevor gets it right here.

The story is just incredible. Stalingrad is an amazing piece of history, but the subsequent German retreat is even more crazy, as captured villages are freed, and the peasants come out from hiding in the forest or households taken over by the nazis tell their stories. When the Russians finally get into Germany, they pick up speed and their revenge is famously fierce. There are roads so deep with german bodies that the tanks just drive on top of them. Grossman was present for all of this and his journals capture more than what he was allowed to write in the official newspapers. He has the perspective of the civilian who has deep respect for the soldier. Because he has lived side by side with them, he also gains their respect and they open up to him more than they normally would.

This book really impacted me for many reasons. It was a reminder of the scale of the Second World War. I know the history, but when you delve back into the details, it is just mind-blowing. It reminds me again of how soft we have become. How minor something like 9/11 is in the world scale of war (obviously not minor to the people directly affected, but no violence is). Just for one example, before the war Warsaw had 1,310,000 people. When the Russians arrived, there were 162,000 living there. 380,000 of the inhabitants were Jews who first held in the Lodz ghetto and then sent to their deaths.

The second thing that blew my mind was Grossman's incredibly detailed and specific recounting of how the extermination worked at Treblinka. I had read his original essay in college "The Hell Called Treblinka" but had forgotten how incredibly powerful it is. I wish this was in the public domain, because I think it should be mandatory reading for all human beings. It goes a long way towards demolishing that myth that humans have some kind of innate moral superiority. The combination of mechanistic efficiency and terror are profoundly frightening. Stayed with me for days.

Finally, the history of that period is so fascinating. It is completely against my nature, but I am growing more and more attracted to Russian stuff, the history, the writers, the culture. Those pretentious kids that decided to be all interested in Russia used to annoy the shit out of me in college, but sort of accidently, through the few Russian books I read and some Russian friends, I am seeing the appeal. Their phlegmatic and tough character is pretty cool and the way it weaves its way through their propaganda, history and politics makes for interesting times.

This was a great book. I strongly recommend it. It reads quickly, is never boring, educational and is a great example of truth being stranger than fiction.

One note, that I had forgotten, and I found very applicable to today, was how the concentration of power made for inept military strategy. Both Stalin and Hitler made absolutely retarded decisions in 1942. Stalin refused to believe the Nazis were actually capable of approaching Russia, despite the warnings of all his top commanders in the field. People were demoted and later sent to gulags for telling him the truth and because he ignored them, the Germans had a much easier time moving on southern Russia. In his turn, Hitler got totally bogged down in Stalingrad, a city that was no longer strategically significant, because he was obsessed with catching it as a prize. The resistance the german soldiers met there (and their unpreparedness for the winter) ultimately caused the turning point in the war, many historians argue. If it wasn't so depressing, it would be funny, how, despite so much historical evidence to the contrary, we still allow our militaries to be directed by our civilian leaders.

Okay, one more thing. Another really amazing moment in this book is when the red army finally arrives in Germany, they are totally blown away by the pristine beauty and wealth of the german villages. The rich, organized farms, the lovely chalets, the stocked larders. Why, if they had all this, did they come to Russia? they constantly ask. A good question.

12. The Sweet Forever by George P. Pelecanos

The Sweet Forever is the third in the Washington Quartet (though seeing his other books, many of which take place in D.C., I'm not quite sure of the solidity of that label). It takes place ten years after the events in King Suckerman. The funk and chaos of the 70s have morphed into something more serious, something emptier. Everybody is doing blow and making money. The ghetto and the criminals have gotten harder and colder. Dmitri Karras and Marcus Clay are still the main protagonists. Marcus' record stores (of which there was just the one in King Suckerman) are succesful. Dmitri is a manager there and addicted to cocaine.

Whereas King Suckerman, the crime and danger element came in sort of randomly (a bunch of psychos on a crime spree), here it has become an indelible part of the landscape, a constant threat that inevitably pushes itself into the lives of anyone who stays in the city. A car crashes into a telephone pole outside the record store in the rough part of town (Marcus Clay is trying to revitalize the economy; his other stores are in the college areas or hip, white parts of town). A guy waiting for his girl to pick up some coke from Dmitri sees it happen and steals a pillowcase full of dope money from the wreck before the cops show up. The hunt is on. There are many characters, most of them broken or on their way to being damaged: street children recruited by the gangs, corrupt cops, rednecks, mothers trying to hold it down.

It's a quick and entertaining read, but I wasn't so sure about this one. It was much more moralistic than the first two, and yet it didn't go anywhere that new. It lacked the random chaos of King Suckerman and the rich, social depth of the Big Blowdown. It also never really punched. Marcus Clay is an ex-vietnam vet and he does some cool stuff, but not enough to get you really jazzed. This would be fine except that the way the ending develops, you think there is going to be another big violent clash where the old school guys show up the new ghetto young bucks. It doesn't really happen.

You do see the oncoming threat of crack and the insane corruption and incompetence in the political leaders. But there is more lamenting and moralizing than depth of place and character and it left the book a bit thin. It's cool the way he has populated a universe. From blurbs of his other books, I can see several characters that popped up in The Sweet Forever have their own intriguing stories. I'm going to give some time before reading the fourth and final book in the quartet. Hopefully it will walk the line between genre thriller and social consciousness book more adroitly.

11. King Suckerman by George P. Pelecanos

King Suckerman is the second in what is known as The Washington Quartet, the series of books, starting with the Big Blowdown, that take place in Washington, D.C. over the years. King Suckerman takes place in 1976 and is about two friends who, through their own tangential connection to the drug world and impetuousness, get involved with some total psycho criminals. One of the characters is Dmitri Karras, a young, good-looking guy just living the easy life, getting high, playing basketball, chasing women and just dealing a little weed on the side. He is the son of the main character from The Big Blowdown. His friend, Marcus Clay, is a black guy who runs his own record store and though likes to party and ball, has got his life shit together. He also was in some kind of badass outfit in 'Nam (that always helps).

If I hadn't read The Big Blowdown first, I would have come away from King Suckerman with a very different view of the author. This book is fast and tough, not bothering to spend a lot of time on the kind of character depth and culture texture its predecessor did. It reminded me a lot of Charles Willeford, crazy people on a criminal roll and things just happening. There is certainly a lot of emphasis placed on the period, music, clothes and cars are carefully detailed. And in passing the reader is shown what became of the immigrant neighbourhoods of the 40s. But it doesn't capture a time and place so totally.

That's not a criticism, though, because the lack of depth of place is not reallly an omission. I suspect it might have even been done on purpose, maybe Pelecano's way of trying to capture that fast and loose feeling of the 70s. The story moves, the characters are cool and there is a lot of pretty rough action. It gets dark at parts, too. A bit nasty, even.

It's neat the way Pelecanos has stretched his characters across such a long time span. I'm quite psyched to start the third book in the series to see where he takes it in the 80s.

10. Startide Rising by David Brin

David Brin is very well respected and recommended. His Uplift series is well-known in the geekosphere. I read Sundiver and found it wanting a bit. I was not motivated to continue the series, especially with so much more sci-fi in front of me that I haven't read yet. However, two new friends I have met, whose taste in other things so far seems quite solid, strongly recommended that I give the series a second chance. They both agreed that Sundiver was the weakest of the first trilogy. That information clinched it for me and I kept an eye out for a cheap used copy, which I eventually found at Half-Price books in berkeley. Actually, not a tough find at all. There are so many used copies available that it is more of a challenge to find it as cheap as possible. I got it for a buck seventy-five, autographed as well ("Hello, Mike! —David Brin").

The Uplift universe is made up of a hierarchy of alien species. The dominant paradigm is that it is not possible for a species to reach sentience and space travel on their own. Rather, a patron race must lift them up through genetic manipulation. The uplifted species is then indentured to the patron species for 10,000 years. This worldview believes in an ancient race, called the Progenitors, who uplifted the current patron races and then left. Humans are an anomaly, a "wofling" race that raised itself up to space travel and are thus beholden to no patron race. Though puny and young, the humans' very existence causes a significant rift in the complex politics of the universe. Many believe they were secretly uplifted and not told. It's much more complicated than that. All the various races are constantly fighting for power. And they are all different species, so they have different worldviews, physiologies, cultures, etc. Some are helpful to the humans; others hostile.

A powerful tool in this mythos is the Library, a vast, ancient and inscrutable collection of knowledge, pieces of which are handed down parsimoniously by the patron races. Most species learn their tech through the library. The humans have access to the Library, but in a very limited and convoluted way and they pride themselves on developing their own tech, though it is significantly primitive in relation to what the library can offer. Humans have uplifted chimpanzees and dolphins, who by the law of the universe are thus indebted to them. But humans try to maintain an equal relationship with their client species, another violation of the uplift laws.

Startide Rising takes place on a distant planet, covered in metallic-water and small, metal islands. The human ship The Streaker accidently discovered a vast, derelict fleet. A communication about it back to earth is intercepted. The derelict fleet could have information of the Progenitors. All the patron races rush to catch the streaker, which has the fleet's coordinates and a corpse taken from one of the ships. The human ship hunkers down underwater, while the competing fleets battle in the skies above them.

It took me a while to get into Startide Rising. I was held back trying to get all the details of the setting and by my own hesitancy. Furthermore, the relationships between dolphins, humans and the one scientist chimp on board are equally complicated and take a while to absorb. But once I did, the narrative really too off. The characters are interesting and compelling. The antagonists are infuriating and you really want them to get theirs. The story and the science and the idea that humans are kind of cool renegades among a bunch of super-powerful but super-dogmatic alien races all blend together to create a really exciting read. I tore through the second half and am definitely going to read the next one.

Finally, there is a strong ecological theme hiding under the surface. Humans still carry the shame of their history towards other mammals and it colours their relationships with their client species. It is also an interesting form of extreme colonialism. Technologically superior species don't just come and exploit the natives, they genetically manipulate them into forms that are pleasing to them and use them as servants/slaves.

Good stuff, strongly recommended.

9. The Big Blowdown by George P. Pelecanos

I can't remember when George P. Pelecanos' name first hit my consciousness. I think that the Mt. Benson Report might have told me about the "washington quartet" when he was living out there. I saw his name on the credits for The Wire. My interest was definitely sparked when listening to an interview with David Simon, the head writer for the Wire, when he said that he hired writers who were genre writers and wrote about cities in the northeast U.S. rather than TV writers and he specifically mentioned Pelecanos. So he was on my list and how pleasantly surprised was I when Meezly gave me the four of his books that make up the Washington Quartet for my birthday!

I have to admit to feeling a bit overwhelmed getting 4 books, all by the same author. I am obsessed these days with getting my on-deck shelf narrowed down and this just re-widened it! However, once I jumped into The Big Blowdown, my worries went away, because I tore through that book. I could barely put it down. I found myself going to the bathroom unnecessarily in order to get some more reading in.

After, a brief intro during the depression and then the war itself, the rest of Big Blowdown takes place in the poor immigrant section (centered particularly around the Greek community) of Washington, D.C. after the Second World War. It's the story of a young man who has some guts and some character, who gets trapped between the crime community that seems to be his default career path and a more normal life that is also a possibility. It isn't a morality tale, though. The plot careens forward and there isn't a lot of hand-wringing or moralizing. The main character makes his choices and is well aware of them. This is not one of those books where the characters do stupid or weak things and that is used to make the plot move forward.

The setting is so rich and detailed, both at the surface level and the deeper historical trends, that the narrative seems natural and inevitable. The character constantly remarks on how much he loves the city and it is obvious that the author does too. I never considered Washington, D.C. to be interesting but Pelecanos has changed my mind about that. What a world! Nightclubs, diners, butcher shops, all kinds of immigrants making their way, slowly accepting or running away from the growing black community. The characters in these locations are real as is the language they use. Very cool stuff.

I see now that the Big Blowdown is a backstory about, I believe, the father of one of his later regular characters. It's a cool way to start and I am really psyched to see how he writes D.C. in later periods. I'm not worried so much about the impact of these books on my on-deck shelf. Rather, I am going to have to pace myself if the other 3 in the quartet are as interesting as this one.

8. The Space Machine by Christopher Priest

Found this one in a used bookstore in Berkeley. I really enjoyed Fugue for a Darkening Island and always keep my eyes open for anything by Christopher Priest. The Space Machine is a "re-creation of the Victorian scientific romance" (from the back blurb) and Priest's hommage to H.G. Wells. It's about a young salesman in Victorian england who, when trying to sell driving goggles to the female assistant of a well-known inventor, ends up becoming romantically entangled with the woman. This all happens in the very beginning of the book.

The real story starts when they decide to take the inventor's time machine out for a spin. 10 years in the future, the hero sees the woman he has just fallen in love with being burned to death by a flame-ray coming from the sky. In his shock and horror, he tries to prevent them from returning to the past in order to avoid her fate. He messes with the controls on the machine and sends them spinning out of control.

Where they end up totally surprised me. I am not going to get into any spoilers beyond saying this book expertly fits its narrative between The Time Machine and the War of the Worlds. The two protagonists are not the most efficient and sometimes do some really stupid things, but it seems appropriate for their age and upbringing. Christopher Priest is a very talented writer, capturing the late-nineteenth century language with sentences like "The enormity of my situation was without parallel" (referring to being in a woman's room in a traveller's hotel!). The concept and backstory that he comes up with is also really cool. It's interesting because I never considered the War of the Worlds beyond its original presentation but in the last couple of years I re-read the original book and now two novels that go a long ways towards positing explanations for the martian invasions. Good stuff.

Fugue was great, but for some reason it didn't start me on a real interest in Priest's works. I see now that he is capable of a wide range of good writing. Seeing blurbs for some of his other books, with equally intriguing plots, furthers my interest to really start reading his stuff. And then check out this picture here. That's a good look for a British sci-fi author.

7. Spock's World by Diane Duane

Somewhere in my nerdly wanderings in the digital realm, I gained the recommendation that of all the Star Trek novels, there were two by Diane Duane that were particularly good and worth reading. I had already read and enjoyed Dark Mirror when I found Spock's World for a quarter at the local thrift store. It's been sitting on my on-deck shelf for quite some time now.

I am a huge fan of the original Star Trek series. As a kid, it was the show and, since we didn't have a television of my own, was a motivating factor in many social visits in my life. I would hang out, but I was always plotting to get Star Trek on. I recently watched the first and half of the second seasons of the series on DVD and it holds up. Kirk's delivery has been so lampooned that it is easy to forget how well-written the shows were. The charactarizations were strong and rich. The shows were exciting. Mr. Spock was and remains a role model for me (one that, sadly, I seem to be getting farther and farther away from the older I get).

I give you this info so you can understand that I am a bit sentimental to the Star Trek universe. The first few chapters of Spock's World do a great job of capturing the inner thoughts, the on-deck banter and the personal lives of the characters that I love so well. So I was pretty psyched. I can see how if you were a real geek and didn't want to be away from the Star Trek universe, you would read all the novels (and there are tons, at least 50 concerning the original series alone).

The story starts out with the Enterprise docked in orbit around earth for maintenance and the crew all on vacation. They get called back because of an important vote that is going to happen on planet Vulcan, Spock's homeworld. A majority of Vulcans have called for a vote to secede from the Federation (the UFP, United Federation of Planets, the political entity that governs the Enterprise) and sever their ties with humanity. Kirk and Spock are called to testify (Spock is half-human, half-Vulcan and both of them have a history on Vulcan, particularly the episode Amok Time where Spock is supposed to go back to Vulcan and get married; awesome episode). So the enterprise is sent back into space. This is also an excuse for the reader to get a history of Vulcan. Every other chapter is an important segment of that planet and specie's development, starting from their savage stage to when they first discovered space.

I was hoping more for a episode-like adventure. Spock's Planet is more of an excuse to give us a ton of backstory on Vulcans and their history. That was okay, but it didn't seem very rigourously thought out to me. The history was cool and there were a lot of pseudo-science that explained a lot of things. But at the same time, their development seemed all too human. The main story as well, the plot about the secession, was kind of soft, with it basically being a move by some corrupt Vulcans. I just didn't get a good sense of the mysterious and powerful other as it was so well portrayed by Leonard Nimoy. So overall, despite some good moments, I was dissatisfied with Spock's World and will let the background of the baddest of badasses remain a mystery, with only subtle hints here and there, in my imagination.

[addendum:] I was quite surprised to see the author herself post a comment to this blog (and a funny one). I went back and re-read my review with the thought that it had been read by the author. With this new perspective, I found my review bit dismissive. I still stand to my overall opinion of the book, but I would like to add that there are many very good elements in the book that made it an enjoyable read overall. Sarek's backstory and his relationship with Amanda, his human wife is well done. The structure of the history of Vulcan, which just captured slices of different eras rather than trying to show all the big moments, was very effective and interesting. The explanation of the development of Vulcan attributes (such as their mind meld and the neck pinch) was also well thought out. Dr. McCoy's personality is enrichened and deepeened while maintaining the crusty exerior that we all know from the TV show.

What kept bugging me was the constant suggestions of Vulcan emotion. T'pring's resentment and jealousy didn't seem Vulcan at all. Also, the constant reaction from the audience, during various people's speeches (especially the laughter) seemed very un-Vulcan. This might not be Duane's doing, as the later iterations of the series got mushier and mushier (and lamer and lamer; call it the Guinan infection) and for all I know it could now be canon that the vulcans are actually very emotional. But the Spock I know and love only laughed when some evil flower sprayed its emotion dust in his face.

But I know that the writing and ideas in Spock's World come from a place of love and respect so I don't want to come down super hard on these disagreements of interpretation. I'm glad I read this book and it has given me some depth and insight into Vulcan but I will still keep most of that backstory at some distance from my imagination.

"It is only logical that I will kick your ass."

6. The Business by Iain Banks

For those of you who don't know, Iain Banks has a great thing going on. He writes science fiction (generally taking place in the universe of The Culture) under the name Iain M. Banks. He also writes "contemporary" (for lack of a better word) fiction under the name Iain Banks. I believe that The Wasp Factory may be the best known. In Britain, they publish both lines beautifully, each with a distinct look. The non-M books all have very stark, modern black and white covers (like the one pictured here). The M books (the sci-fi ones) are in colour, each one with a specific dominant colour. (Oh, well, going to his website, I see they have updated the line. They still are different, but not so distinctly now. They sure do look cool, though. They know how to make books look cool in England. Check them out: fiction and science fiction).

Anyhow, I'm not sure how I feel about the business. I read the Wasp Factory a long time ago and enjoyed it but it didn't totally grab me. The Business reminded me a lot of a few other sci-fi classics: Gibson's All Tomorrow's Parties and Stephenson's Cryptonomicon. The protagonist is a high-powered businesswoman working for a giant, ancient company that is more like a meta-company, so big it is considering taking over a small country so it can get a seat on the United Nations. Most of the book, though, deals with the heroine's personal concerns, her role in the company, her unrequited love and sex life and her travel (every flight and car ride is rated and detailed). Eventually, a large plot comes in to view, involving her being sent to a small himalayan kingdom to see how the people would react to the Business coming in and taking over (their monarch is favorable to the idea and there would be a lot of benefits for the country, but obviously it is a mephistophelean deal).

Banks is a solid writer and a complicated, intelligent person. There are very interesting ideas swimming around under the surface of this novel. The construction of the the Business (as it is known) was interesting, though didn't reach the detail of the Cryptonomicon. There was so much emphasis on the trappings of life at the top (the lear jets, the communication devices, the exotic locales) that I felt I could never really get at what Banks was trying to communicate. I wondered what we were doing, where we were going at several points. In the end, there was a semi-satisfying conclusion, but it came rushed and I feel lacked the power that this story had potential to have.

Does anybody have a particular Iain Banks novel to recommend? I find them all so intriguing, but they just don't blow me away like some of the Iain M. Banks books have done.

5. Rendezvous with Rama by Arthur C. Clarke

Wow. Rendezvous with Rama is one of the few books labelled "sci-fi classic" that I have actually found to deserve the accolade. Jarrett recommended it to me. I found it for a buck and yet I was still wary. It sat on my on-deck shelf for almost a year. But I finally picked it up, with my new resolution to get through some classic sci-fi. I am very glad that I did.

The story takes place late in the 22nd century. Man has colonized several of the planets. One day, a strange object appears in the telescopes. It is a giant cylindrical vessel, heading obliquely towards the sun. Judging by its route, the earth forces decide that there is only a few weeks to study it and the nearest ship is sent. The book is mostly about the exploratory ship and what they learn as they slowly explore this foreign vessel.

A fantastic book that restored my faith in clear, classic science-fiction. Several times I exclaimed out loud, "Cool!"

**WARNING SUBTLE SPOILERS BELOW-If you are planning on reading Rendezvous with Rama, I recommend you don't read any more.**

What first struck me about this book was how clear the physical descriptions were. My nerdy brain is so filled with other worlds that I have very little attention span left to dedicate to a new one. I get distracted easily and completely fail to grasp the fantastic extra-terrestrial image the author is trying to impart to me. Somehow, Clarke describes the ship in such a way and with such plain language that I had a clear image of the structure in my head the whole time.

The second good thing was that about halfway through I started to get the idea that this book was populated with mostly reasonable people. Nobody was going to do anything stupid or crazy or emotional that would cause a "conflict". I am growing more convinced that the necessity of conflict in modern narrative is a false construct created by a divergence of undergrad literary and writing courses and capitalism. Too often, a writer uses arbitrary human frailty to drive a story forward. Clarke is confident enough of the coolness of what he is showing the readers (and the richness and complexity inherent in life and humanity itself) that he doesn't need to rely on any of that.

And Rendezvous with Rama truly delivers a sense of wonder and mystery. Each chapter (and they are quite short) delivers a new wonderful surprise, slowly unravelling the layers of mystery surrounding another life form Behind it all, is a solid internal logic, so that even though very little is actually discovered, the reader is left feeling very satisfied.

A classic.

4. The Closers by Michael Connelly

This #1 New York Times bestseller was another xmas gift. I've never heard of Michael Connelly, but I'm sure I must have seen his books on some shelves in the airport. I am very suspicious of best-selling american modern crime and mystery novels. The few I have read have been poorly-written at best, stupid and obvious, usually with some form of extreme and titillating violence or a completely preposterous serial killer as the bad guy (James Patterson, Jeffrey Deaver are two prime examples of this). I now avoid them as a rule.

The Closers stars detective Harry Bosch, who retired from the LAPD for two years and then decides to come back again. His old partner uses her connection to the new police chief, who is portrayed as someone who really cares about bringing down crime, to bring Harry back. They are assigned to the newly revitalized unsolved crimes (thus, "the closers") unit and start on a case involving a young girl who was taken from her bed and killed in the forest 17 years before. A DNA match from a bit of flesh on the gun (matches that were not technologically possible when the case was first investigated) is the clue that jump starts the dead case. As they dig deeper, the crime reveals itself to be potentially very complex, involving racial politics and potential police corruption.

The Closers is definitely a step above the books I mentioned above. It is a solid and complex police procedural. Most of the book is the two detectives investigating. Asking questions, going over old evidence, doing research and slowly the layers of the case are revealed. There are a couple of false notes, particularly with the vague antagonist, in the form of a high-ranking officer (though I suspect his character played a bigger role in past Bosch books, if they exist). At the sentence level, it is competently written, though a bit clunky at times. The overall structure is excellently organized, delivering just enough information and pacing to keep you hooked in and able to remember what is going on. The case itself is really interesting, woven tightly into LA city politics and culture, but able to stand on its own. There is lots of great detail and info about police procedure and culture in LA.

I probably won't seek out another Michael Connelly book. But if I'm stuck in the airport with nothing to read, I would go to him before most other bestselling authors.

3. Lord of Light by Roger Zelazny

If you look down the left hand side of this page, you may have noticed that Lord of Light has been on my to read list for quite some time. The only other book by Roger Zelazny I read was Donnerjack, giving to me by a fellow teacher a while back (thanks, Pete!). I loved it and after doing a bit of research, saw that Lord of Light is considered one of Zelazny's best books. Well, I searched far and wide for a used copy of it, but they weren't to be had in any of my bookhunting jungles (Montreal, Toronto, New York, Vancouver and finally the east bay) until I found a used copy of a re-released trade paperback. It was $6, which is more than I had hoped to find it for, but the only other time I had even seen it was a brand new version of the same trade paperback, so I picked it up.

It took me a while to get into it. Partly it's because I was flying and distracted when I started it and partly because the opening tells the story in a very oblique way. It was only due to the blurb at the back that I had an inkling of what was going on. As you get about a quarter of the way through, you start to figure out what the hell is actually going on and then it gets really interesting and really cool.

It is some future far-off planet that humans, escaping their own dying earth, colonized long ago. To colonize it, they used their technology to destroy or contain the existing creatures and then reproduced themselves to create a human population. They had the power to transfer their beings into new bodies and were thus effectively immortal. As their world grew, the first arrivers turned themselves into gods. Their colonization exploits and their internecine struggles become the myths of their human offspring.

Lord of Light follows the half-epic, half-mundane story of one of the first who decides to destroy the gods and allow their powers (i.e. their technology) to be spread to the rest of the world. The book is about his strategies, alliances and battles.

There are a lot of characters and it gets more confusing because when a named god dies, another character may take over his role and thus his name. It also jumps around in time a bit (though actually the structure is fairly straightforward once you figure it out). So I found myself a bit distanced from it all.

Nevertheless, it is a really cool book. The way the gods manifest themselves, their powers and tools is a clever and original blend of technology and magic (it's hard to tell where one begins and the other leaves off) and the world is rich and full of adventure potential. I think it either demands a re-read or careful concentration when you are reading it. It's an easy read and entertaining, but if you take it lightly you will miss some of the depth and connections and get a bit confused. So I recommend it, but read it when you have a chunk of time to dedicate to it.

[note about the rapidity with which I got the first two books down: it's entirely due to me being at the parents house for a couple of days after the new year. One can really focus in that environment. I hope I can keep it up, but as you can see, #3 took a lot longer than the first two!]

[note about my reluctance to pay $6 buck for this book. Yes, it's a decent price and yes I'm a cheap bastard, but as you can see it's just not a very inspiring cover. Take look at some of the other original paperback editions of the book and you can see what I was hoping to find in some dusty sci-fi shelf of a used bookstore.]

2. No Country for Old Men by Cormac McCarthy

I got this one from my parents for xmas. I have read All the Pale Horses and while there were elements that I quite liked, the whole thing didn't jibe for me. A major strike against Cormac McCarthy is that he doesn't seem to think that he has to use quotation marks when people speak. I think the goal is to create a more flowing text or something, but it just comes off as pretentious and annoying (at least for me).

The cover of No Country for Old Men has a quote that says "...McCarthy's most acccessible work!" which I guess was a way to try to get it to sell more mainstream. If by accessible, they mean tons of action than that is very true. This is a violent book. Pale Horses had moments of extreme violence, but they were punctuations amidst pages and pages of thoughtfulness and human longing or something. This book is the opposite, brief moments of human exploration that punctuate pages and pages of serious ass-kicking.

The story takes place in Texas around the Mexico border. It's about a hunter who stumbles upon a drug deal gone bad in the desert and takes the cash left over. He is hunted. The main protagonist, though, is an old sheriff whose county this all takes place. He represents the voice of the older generation that wondered what the hell happened to the world. The story is great and there are some serious kick-ass characters. The theme of a society falling into chaos and evil is well presented through the voice of the sheriff. It avoids an easy narrative, which seemed right, but at the same time the ending kind of meanders away. Nevertheless, this is a very satisfying and enjoyable read. Quick and intense. I would recommend it.

I'm suspicious of McCarthy, though. I suspect the voice he writes with is not his own and it doesn't quite ring 100% authentic. It's incredible craftsmanship, for sure, but sometimes it has the sound of an extremely talented upper middle class intellectual acting country and with the people. I know nothing about the author as a man, so I could be wrong.

1. Lemons Never Lie by Richard Stark

Richard Stark is now well-known nom de clef of the well-known mystery author Donald E. Westlake. As Stark, In the 70s, he wrote a series of heist books starring an efficient criminal named Parker. These are my favorite books in the world and I've read the entire series three times now and will continue to read them. One of the side characters and heisting allies of Parker was a guy named Grofield. A little more intellectual and less brutal than Parker, Grofield was nonetheless a pro. He had people skills, lockpicking and disguise. His deal is that he's an actor and has his own summer stock theatre, that is constantly running out of money. Stark wrote three side novels about Grofield, The Dame, The Damsel and Lemons Never Lie. The first two were okay, but a bit light and funny and didn't capture the diamond-hard intensity of the Parker books. I could never find Lemons Never Lie (if you ever see it in old paperback, grab it), but fortunately for readers everywhere, Hard Case Crime just re-released it in a nice small paperback with a beautiful painted cover, in the best pulp tradition.

I am very pleased to report that Lemons Never Lie is up there with the better Parker books. It's a straight-up heist, Actually, straight-up is not a good word to describe the jobs that go down because they always end up getting complicated, usually through human foibles. In Lemons, Grofield gets asked to join a job in Vegas, decides the guy who is running it, Myers, is an idiot and backs out. Myers is an idiot, but a ruthless and psychopathic one and he retaliates, causing a chain of events that chase Grofield throughout the novel until it goes too far and Grofield has to start doing the chasing.

Lemons Never Lie is an integral part of the Parker arc. And a great book. There are two heists, tons of fighting and scamming, great underworld locations and characters (the scene where they buy the stolen semi is fantastic) and important advice. Reading the entire Parker line is a requirement for a career in heisting. For example:

"The best driver for anything, including going quickly away from where you no longer want to be, is not the guy who will kick the car across the state, the guy who love speed—the best driver is the guy who loves cars. He'll get more out of the car, and he'll live longer."

2006 wrap-up and looking forward

Well I did not make the 50 books this year, barely made 32 considering that most of the "books" I read this year were actually comics (albeit fairly long ones; I read up to Thorgal #27). But I have my excuses. My french comprehension has improved a lot and my love for bandes-dessinées even more, so I will definitely continue to delve into the comic section of the library. But I am also inspired to continue my catch-up on classic sci-fi (thanks in no small part to an excellent xmas present from the Mount Benson Report). There have been several books that I am interested in on other 50 book blogs as well. So I am going to shoot for 50 books this year, both french comics and english regular books. I may try to see how long it takes to read a Maigret in french as well.

The overall blog posting has slowed down this year among our little group, as I am sure it has across the internet. But keep posting and keep reading everyone. Your updates give me great pleasure. Good luck for '06 everyone!

32. The Corner: a Year in the Life of an Inner-City Neighborhood by David Simon and Edward Burns

I took this fat hardback (576 pages) out of the library to read during the xmas holidays. I am totally hooked on the Wire (without a doubt the best show on television), but what blew me away was an interview with David Simon where he just tears into America. It's a podcast on the HBO website. They start out by asking him a question about his "passion" and he says "I don't think it's about passion. I'm angry." and then he proceeds to rip into the government, bureaucracies, and us, criticizing the current situation in America with such vigour, honesty and intelligence that I was wondering if he was really American. He mentioned his book "Homicide" as if it is was well known, where he says some of these ideas are discussed. So I went to look for it and came away with his newer work, "The Corner" instead.

The Corner is an amazing work of journalism. Simon and Burns (an ex-cop and current teacher) spent four years just hanging out in the worst drug corners of inner-city Baltimore. They and their involvement are almost entirely transparent in the course of the book, but they explain their process in detail in an epilogue. The Corner follows the lives of a shattered family, a husband and wife who are both junkies and their son, a sometime dealer and street tough. Each has a distinct personality and a distinct role in the shooting galleries and corners of West Baltimore and through their roles we get a look at the drug market, the community of addicts, the schools, the hospitals and the cops. The majority of the book takes place in the world of addicts, hanging out in abandoned rowhouses, scoring and shooting, recuperating, hunting out scams for a bit more cash to score and shoot again.

If you watch the Wire, this is Bubbles' world. And even then, it is far less glamourous than anything in the show. The violence, when it occurs, is workmanlike. The dealers come off more like fast food employees (though they make a lot more money), basically working hard every day, serving customers. And the addicts scams and money-making schemes are small-time, pathetic, industrious like rats at best. They strip copper wire from old houses, switch vials of heroin for ones filled with water, borrow and beg from relatives. Lying and scheming is a given.

The book is so thorough and treats the main characters with such depth and care, that as you work through it, learning about the drug trade, about the failure of institutions at every level (driven by our unwillingness to see the problem as a human one), you really get into the story of the family. It's so sad because the patriarch was one of the thousands of black men who came to the north after the war with nothing in his pocket and was able to find good work, marry a woman, buy a nice house and become part of a poor but warm and thriving community in Baltimore. Now he and his wife are surrounded by dealers, fearing getting shot or having the house burn down because of the abandoned building next door, cops breaking the door down looking for their grandson.

I could write about this book for a long time. For me, it did nothing to change my opinion because I share the opinion of the authors. I taught at a school with some kids from disadvantaged backgrounds, but it seemed like Mayberry compared to this book. Just getting these kids to even come to school is basically impossible. But for anyone else who is still labouring under the withering american myth that everybody has an opportunity to succeed if they only work hard and apply themselves, The Corner should be mandatory reading. Simon and Burns pull no punches. If you grow up in this world, you are fucked. And we don't care. He compares convincingly our attempts to solve the problem with our strategies to win the Vietnam war, and he predicts (so far correctly) that we will fail. Except this time, the enemy is us.

A great book. I'm definitely getting Homicide as soon as I can lay my hands on it.