McCorkle is the narrator as usual. This time after some overly complex confrontations involving past relationships, they end up working on a job to protect a soon-to-be king of a new oil-rich middle-eastern country. He is the last remaining heir to the throne and has to sign some papers which will make him the king and give a big deal to some oil companies. A smart but gotten old assassin has hired a young killer and the two of them are trying to take the king out. These are all connected to Padillo's past. I am not sure if they actually do show up in other books or if they are just dragged out to make a plot, but it all felt a bit convoluted. There was some decent action but nothing in it really seemed to matter to me. I would give it an okay. You can feel that the critic at the New Yorker is really trying hard with this blurb.
Radium
1 day ago
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