On the positive side, Algren is a great writer. The locations and situations of the petty criminals and losers of Chicago are rich and well told. There is lots of drinking and fighting (his boxing scenes are really good; detailed and punishing). Prostitution at the lowest levels is standard work for most of the women characters. The men are all stealing or up to some kind of scam. Everything is quite depressing. There are few scenes of redemption or happiness and they are of the humblest sort, such as the boxer who loses the fight he was supposed to throw even though he doesn't want to and learns that his girl bet all of his payout on him. They lost it all, but are happy because they still love each other. Most of the stories are just sad.
I think what bugged me was that deep down underneath all these stories, though they are portraying a reality that didn't tend to get written about in literary journals, are basically moralistic. Nobody is going to get out of their situation and it kind of feels like they aren't supposed to. They definitely aren't supposed to get any pleasure out of their lot. I wasn't around in Chicago's poorest neighbourhoods in the thirties and forties and glad I wasn't but I do feel despite the poverty, there were probably moments of happiness and joy for the people lived there. You wouldn't get that from Neon Wilderness.
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